Charlie Brooker

When I think of the people I regard as heroes, at least those of whom have a voice that speaks to me, I'd list people like Doug Stanhope, Louis CK, Stewart Lee, Adam Curtis, Charlie Brooker and of course, Kanye West. A group of sneering misanthropes if ever there was. Or so they tell me anyway. I think it's because they all expose the elements of life that we'd all rather not think about too often or even forget. Which is why I like them all, really. Though none more so than Charlie Brooker. It only occurred to me as I was watching his most recent series how much his way of thinking resonates with me and just how long I've been reading and listening to his furious, bile filed rants. Furious and bile filed perhaps, but always spot on.

I probably first read his work back when he was writing for PC Zone, though at that stage I couldn't care less who was writing the articles in magazines. They were about video games, that's all that mattered. It was only when he started writing his Guardian column and nearing the end of his work on the 'TV Go Home' website that I really started paying attention. His writing was thick with barbed insults and he readily demolished anything he set his focus on. It was great. Funny and insightful. He played for laughs and used language so effectively to achieve this, but he also tapped into the anger that any right thinking person has for so much in this world.

I think why I was such a fan is because he focused on a subject close to my heart- TV (with sly references to video games now and again). He treated it with the disdain it deserved, but was also responsible for championing some of the great moments and shows that do crop up from time to time. Through his show, 'Screenwipe', I learnt about things like Deadwood, The Wire and Rome. Shows that I came to love. He cut the wheat from the chaff like no one else.

His most recent show, and one that feels like the culmination of everything he's done so far is 'How TV Ruined Your Life'. It's exactly what it sounds like and breaks down the various ways TV has irreversibly twisted how we perceive life. Focusing on subjects like Aspiration, Fear and, most recently, Love, it's both funny and chillingly accurate but doesn't tell you anything you probably haven't thought yourself. It's just does it in a much more entertaining package.

But enough of my rambling. I don't want this to sound like too much of a love letter, I just wanted an excuse to spread the word a bit and post some links. So I'll not be pleased if I get any 'Why don't you marry him already?' comments. Besides, I'm too late. The lucky bitch.

The Amazing Adventures of....

I've been banging on at a handful of people to read 'The Amazing Adventures of Kavalier and Clay' for years now. The book always seemed like a perfect fit to some of my friends and I was always eager to bang on about it to them. But after re-evaluating it recently and reading some more of Michael Chabon's work, I now think that it's a book for more than just some of my friends- it's a book for everyone. The themes and story lines just speak to a far larger audience than the comic shell that holds the whole thing together. So let me whet your whistle and convince you to pick up a copy.

I can't remember how I found the book, particularly. Though once I had, and discovered it was a Pulitzer prize winning novel and also related to the comic industry, I snapped it up, appealing as it did to both the pretentious and geeky aspects of of my personality. The book itself is set in 1939 and is about two cousins, one escaping from Prague coming to live with the other, based in New York. Kavalier and Clay, respectively. The story follows how they influence each others lives and come to form a partnership which ends up creating a widely successful comic character known as 'The Escapist'. It's a fictionalisation, though is loosely based on other key comic creators of the time, such as Stan Lee and Will Eisner, and how they drove the industry and the iconic characters they created. However, this is merely the glue which holds the whole thing together and the book itself tackles all kinds of other subjects that I won't even mention for fear of spoiling it for you.

I hadn't even heard of Chabon when I first read the book, though he quickly became one of my favourite writers. His writing alone makes the book worth reading. He's the sort of author that will write a sentence that just makes you put the book down, grin, and curse the world that you didn't write it. He makes you want to become a writer yourself. His beautiful form of descriptive writing can sometimes threaten to be twee or over-cooked, but never is. It's perfectly judged balancing act and he never fails to put you completely in the time or place he desires. He also sprinkles his books with delicious little morsels of Jewish slang or vocabulary which never fail to raise a smile. I've always found the way Jewish people use the English language (and even the sound of Yiddish) to be weirdly fascinating, especially to an outsider like me, and I love getting a peek into that world, even if it is a fictional one.

You know, I'm not going to write about this any-more for fear of saying too much. Just go and read it. I guarantee you won't regret it. In fact, you'll almost certainly want to thank me. In that case, cash is always welcome. That or a hug.  

Chinese New Year

It's always nice to be in a country for a holiday that they don't celebrate back home. It's all exciting and new. An experience that my American chums seem to miss out on, being that they tend to celebrate not only their own holidays, but every other bloody countries. Cinco De Mayo, indeed. As for me, I got a taste of Chinese New Year in a Chinese (ish) country. It was fun and as I'm currently staying with my girlfriend and her family, nice and authentic too. Like all great holidays, the focus of Chinese New Year seems to be around food. Though what great things aren't focused around food, eh? My poor, poor body. Other than that, Chinese New Year's eve is much like any other day, apart from what I assume to be the mortar attack that happened at 12 o'clock.

Turns out it was Chinese fire crackers. Which are terrifying. They're hellishly loud. And over the course of the holiday it is open season on those bad boys. Being from 'colourful' N. Ireland your instinct is to jump when you hear loud noises, so my nerves were frazzled. It's mostly the adults who are at it too. They'll throw them at you, the swines! Though the craziest moment was actually after the New Years holidays on my way into work. It turns out most businesses let off a row of firecrackers to announce them opening for business after the new year. Which I only found out about as I weaved my way through the smoke and explosions on my mean machine. A fun way to start my new job. Though in fairness, it was kind of badass. I felt like Jason Statham.

Terrifying or not though, I'm definitely buying some for the next time I go back home. Fingers crossed they aren't counted as explosives.

Half-Assed

People seem to like to ask me for advice, for some strange reason. It must be this face of mine. It's happened before, certainly, but it seems to more prevalent the older I get. I think the theory is that the older you are the more wisdom you have. Maybe you have a clue about how this whole crazy world works. Sweet, but misguided. However! I've been thinking about something recently which may very well make a good piece of advice. Finally! Let me break it down for y'all.

I enjoyed school for the most part, but couldn't wait until I ventured off into the real world. I could leave behind all of the childish bickering, the gossiping, the idiotic rivalries and most of all, the morons. None of that for me! I was off for a university education and then on to a working life with my peers! Thud. It all came crashing down around my head. I quickly realised that the 'real' world is, if anything, worse. And considerably more childish.

For me though, the most disappointing thing was how little people gave a shit. Again, one of my delusions about the working world had always been that people needed to be professional and hard working to hold down a job. Such an innocent! Half-assery is the way to get by in this life. Don't doubt it for a second. I think that a lot of people go through life in disbelief, not sure how they're getting away with it. It's cause everyone else is doing it! Hard work will do nothing but make you look like a suck up, most of the time, and on other occasions may even get you punished. I remember in one job I lost marks in a performance evaluation due to the fact that we worked overtime to get a project finished. I mean, REALLY, what were we thinking? We should have finished it in normal work hours! That was the beginning of the end of my working days in that place, let me tell you. Though I did end up staying there for 3 more years. Hey, it gave me a chance to get all my CD's ripped.

That's not to say that you shouldn't work hard. Just don't work hard for somebody else. The only person worth breaking your back for is yourself. Which can be within another institution, I'll admit. Just make sure you're doing it for the right reasons and that you'll get recognition for it. I also fully support taking a half-assed job to support some other worthwhile cause, like travel or art.

I think everyone ends up working in a pointless, stupid job for a moronic, petty boss, at least at some stage in their lives. It's one of the terrible realities of life; just don't get trapped. Which happens all too easily. Just keep it simple. Keep you head down and smile politely. Keep it half-assed.

Taiwanese Animated News

I've been lax in posting about Taiwan recently, so with that in mind I present a video spectacular blog entry. Not any of my own work, of course, but a primer in the news sensation that is Next Media's animated news reports. Delivering news to you in 1-2 min long animated truth bullets. Not hard hitting serious journalism, perhaps, but they don't pull any punches either. Here are a few of my favourite stories-

Ah, the Spider-man musical. I don't know what the awareness levels of this epic disaster in the making are back home, but it's something I've been following with an evil relish (which is amazing on hot dogs). Featuring music by professional shitehawks, Bono and the Edge, this 65 million dollar (!) musical just goes from one disaster to another. This video not only sums up the problems the production has had but also nails it savagely. The best bit is when a doctor uses a defibrillator on the script. Burn!

I'm assuming that somebody involved in making these is from the UK, with the Grange Hill reference, but this is another big story that is excellently summed up in just under 1 minute 30, mostly by making all the key politicians involved look like a pack of tools. I especially like Gordon Brown defusing the time bomb and the guy throwing darts at Nick Clegg.

Finally, good old Masheen, doing what he does best. Getting naked, trashing hotel rooms and threatening to kill hookers. All while on holiday with his family. Truly, this is the Hollywood life I dream of.

There are many more videos and most of them are worth checking out, but they can be hard to find with an English translation. Still, the video of Steve Jobs and Bill Gates cast as Luke Skywalker and Darth Vader respectively is pretty self explanatory. I like it when Steve steals Bills Darth Vader helmet. Oh, how true it is!

To Yaar or not to Yaar?

It's not exactly big news that movie and TV piracy is rife these days. All piracy is, really. Every one of us, no matter how much we try to avoid it, has probably either watched a pirated movie or tv show. It's just so easy. Piracy often provides quick and simple access to almost anything you could want to watch. How could that not be appealing? I'll be honest, it's appealing enough that I do it often and without regret. Yet conversely, it's not something I entirely agree with. So what should I do?

I think the main problem comes down to the industries inability to keep up with the digital age. Yes, I know services like Apple and Netflix offer TV shows and movies on demand. Which is great, of course, and exactly what I'm talking about. If you live in America, at least. I fully believe that if companies were able to offer the shows when they air to a worldwide audience and for a reasonable price, a large percentage of people would stop pirating. I understand that it's far from that simple, but it feels to me like a goal worth pursuing for all major broadcasters. You may say that it's unfair to demand access to TV shows as soon as they air when I should wait for them to be broadcast in my area or to be released on DVD. Perhaps, but clearly there is a more immediate demand for many shows, so why not cater to it? Also in my particular case, living in the East, many of the films and shows I want to watch won't even get a release here. So in order to see the shows I love, I pirate them and will continue to do so. At least until I'm given a better option.

What gets to me most about piracy is the number of people who do it constantly and then complain about shows being cancelled or the quality of TV going downhill. We're to blame! Partially at least. If you care about the quality of TV at all, you should at least pay something towards the shows you enjoy. If you want more good TV shows to be made, show the networks that you love them! Buy a Sopranos DVD, pick up a box set of The Wire or even watch an episode of Mad Men on TV (I'm slowly building a back catalogue of my favourites, sitting at home, still wrapped in plastic). I'm not telling you to stop, as I certainly won't, but do a bit at least. That way the best shows can continue to flourish or at least finish as they were meant to and we can continue enjoying quality entertainment for years to come. Just don't moan at me when you don't buy anything and we're watching endless reiterations of CSI. CSI: Belfast, anyone?

The Maddest Man

TV is going through a revolution. Over the past 10-15 years, we've had some shows that have redefined the medium and really embraced the potential of the long form nature of a TV show. The Sopranos is probably the most famous breakthrough and the one that everyone has heard of. Rightly so, as it was a compelling, brilliant piece of drama. It's importance in shaping the high quality TV we see today is key, particularly in regard to HBO's output. It makes sense that one of the head writers (Matthew Weiner) of Sopranos would be driving force behind Mad Men - it feels like a natural evolution of that show in terms of pace and character.

An evolution, but a bigger risk too. The Sopranos had the appealing hook of the mafia lifestyle to draw in potential viewers and was able to carve an audience from those who tuned in for the tits and violence and those who watched for the characters and storyline. Mad Men is aimed squarely at the later, those concerned with character and story. Sadly regarded as the smaller, niche audience.

Anyway, Mad Men is about an advertising agency called, Sterling Cooper, set in the 60's, and deals with relationships of the people working for and connected to the agency. It delves into the issues and attitudes of the time, without focusing on them, using the whole setting as a springboard to tell a story about,well, people: Their fears, hopes, desires, relationships, problems and how they make their way through life.

The key to all of this is the characters. Don Draper is usually regarded as the lead, the marketing wizard who is the secret to much of Sterling Coopers success. Peggy Olsen, however, is just as important and it's her rise from secretary to copywriter that has really provided the whole show with much of its impetuous. If you could say this show had any sort of traditional impetuous. Which is probably both the best thing and worst thing about the show.

Because Mad Men is slow; very slow. It's not going to rush to get it's point across or to force a dramatic ending just because this weeks episode has finished. It's not going to hammer you over the head with large unsubtle hints as to peoples motivations or emotions. Which is what makes it so good. Mad Men wants you to get to know these characters. It wants you to understand their motivations and emotions for yourself. It wants you to pay attention! It's interested in what drives real people and how they deal with what life throws at them. Something you just can't say about the augmented reality that most entertainment provides.

Which is fine, of course. People don't want to have to deal with real life, for the most part. You get enough of that at work. Many, many shows cater for this way of thinking and will continue to do so. But they'll always be lacking. They'll never be able to tell a story with a sentence or make you laugh with look. They'll never be able to make you cry with a flawless moment of silence. Of course, it's difficult to adjust to something this subtle considering what we've all grown up with. We're used to our story telling in broad strokes, with easy to understand motives and clearly defined roles. Mad Men is told in fine, subtle brush strokes and is defined not by an ongoing narrative drive, but by the characters who inhabit it. Most of all, it requires an emotional investment, but it's one that you'll never regret paying.